{"id":336,"date":"2022-07-27T17:06:44","date_gmt":"2022-07-27T17:06:44","guid":{"rendered":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/?post_type=tnc_col_310_item&#038;p=336"},"modified":"2022-07-27T20:44:03","modified_gmt":"2022-07-27T20:44:03","slug":"water-drum","status":"publish","type":"tnc_col_310_item","link":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/collection\/water-drum\/","title":{"rendered":"Water Drum"},"content":{"rendered":"<p>In Yaqui language it is called Ba&#8217;a bw\u00e9jai or ba&#8217;apo bw\u00e9jai; The water drum is a percussive idiophone instrument made up of four pieces: a large clay pot, one half of the dry fruit of the bule known as j\u00edcara, a percussion stick and a cotton cord to hold the j\u00edcara to the pot.<br \/>\nFor its operation, the j\u00edcara is placed downwards on the large clay pot with water almost up to its edges and placed on the ground; the jiponleo ba&#8217;a (person who plays the water drum) plays the drum with his right hand and holding the j\u00edcara with his left. The resulting sound forms the rhythmic basis of the Deer dance and is audible over great distances.<\/p>\n<p>The symbolism that is most attached to the use of this instrument is related to fertility, that is, water represents the fertiliser of mother earth and the j\u00edcara is the quintessential container for water, the only travel companion of the spirit in its way to the father, after this life (Varela, 1986). According to the myth of the Deer dance, the sound of the Ba&#8217;a bw\u00e9jai represents the heartbeat of the Deer. When listening, it gives the entrance to the dancer to start his interpretation.<\/p>\n<p>The assumption of the Spanish origin of this instrument, of which there are neither ancient nor modern copies, is ruled out. On the other hand, in this type of water drums, historically there are records of use by various ethnic groups in North America, South America and South Africa (Varela, 1986).<\/p>\n","protected":false},"featured_media":512,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","class_list":["post-336","tnc_col_310_item","type-tnc_col_310_item","status-publish","format-standard","has-post-thumbnail","hentry","tnc_tax_118-musical-instrument","tnc_tax_87-religion-and-culture-sonora-mexico-state-holy-week","tnc_tax_87-religious-dance-mexico","tainacan-item-single-page"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/tnc_col_310_item\/336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/tnc_col_310_item"}],"about":[{"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/types\/tnc_col_310_item"}],"replies":[{"embeddable":true,"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/comments?post=336"}],"version-history":[{"count":1,"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/tnc_col_310_item\/336\/revisions"}],"predecessor-version":[{"id":514,"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/tnc_col_310_item\/336\/revisions\/514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/media\/512"}],"wp:attachment":[{"href":"https:\/\/redescubramossonora.mx\/museumoftheyaquis\/wp-json\/wp\/v2\/media?parent=336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}